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Parenthood Support Group

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Trofim Belov
Trofim Belov

Galaxy (Drum Sound Kit) WAV: The Best Drum Sounds for Trap Music Production

GALAXY is package of carefully made and selected best sounds for Future Bass. After over 6 years of professionally producing Future Bass we decided to create something that would change people's song-making experience forever.

Galaxy (Drum Sound Kit) WAV

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WavGrind is the industry leader in putting out high quality, royalty free packs. Since we started in 2020, we have built an audience of over 10,000 customers, and over 80,000 producers have downloaded one of our packs!The WavGrind team consists of industry producers, sound designers, engineers, loop makers, drummers, guitarists, pianists, flute players, and more.Collectively, the WavGrind team has worked with top artists and producers including: Lil Keed, Kap G, Lil Gotit, Smookey Margiella, Pressa, Houdini, Lakeyah, Moneybagg Yo and Dj Drama!

"Better drums. More placements. That's sort of become the motto as of late, when talking about the "Blap-Kit" drum series. If all 5 BLAP-KITS were brothers, then this latest release, Volume 5, would be the outcast of the family. The dark horse. The outspoken sibling. "BLAP-KIT Volume 5" is meant to break all the rules. Unlike Volumes 1 - 4, Volume 5's kick & snare hits are heavily layered, processed & reverbed/effected just enough to create really inspiring and over-the-top textures. Each sound follows tradition by staying just within "0", but all tweaked just enough to "feel" and "sound" larger than life. For the 1st time ever, we've included vocal "grunts" (James Brown-esq.), weird percussion, more drum-rolls (for those beat turn-arounds) and even long sub-bass stems, which can be used to create basslines or your own 808 kick drums. "BLAP-KIT Volume 5" is a must have for your drum sample collection. Period." - !llmind

HI. I'm Illmind.2x Grammy Winning music producer and founder of BLAP-KITS.When I started making beats many years ago I didn't know where to find original drum sounds.All we had access to were presets and bootleg drum kits.There was no real marketplace for quality and highly-usable sounds.So I just made my own sounds from scratch...

Push your tracks to new heights with our 100% royalty free sounds, loops, midi and preset packs. Designed by music producer royalty, all our sample packs are crammed with the finest drum beats, basslines, synth loops, instrumental loops, drum sounds, one shots, vocals, fx, presets, stems and midi.We release sound packs weekly, covering all genres including House, Techno, Trance, Psytrance, Progressive House, Melodic Techno, Drum & Bass, Deep House, Downtempo, Tech House and more.

Browse our sample catalogue by genre or category for speed of use. Enjoy our sounds with key and tempo labelling, associated midi, simple folder structures and the Zenhiser seal of approval in quality.

MSXII is committed to providing the audio community with quality, well-thought out, relevant & vintage sounds in the form of sample packs, drum kits, apps and sound design. These are sounds that are ready to use in your projects upon download. All material released is recorded through state-of-the-art equipment such as the SSL Duality, SSL Fusion, UA, & Neve preamps. Tracked into high quality converters before landing in Protools, Logic, or Live for print. Some projects also receive processing into vintage tape machines and other analog boards for added character.

In addition to our own line of products on and what you've seen on social media, we offer the iOS Apps Fly Tape and Lo-Fly Dirt. We've also done countless work/partnerships with companies such as Native Instruments (Sierra Grove/Elastic Thump/Aquarius Earth), Akai (Soul Provider 1, 2, & Vintage Provider), Ableton (Beat Tools & Live 10 factory content), Novation, Intua, Serato, Our niche is in creative sound design solutions for music producers and we're pretty knowledgeable on just about any platform, DAW, instrument, device, and more!

TB Digital presents a 100% ROYALTY-FREE sample pack designed to take you to another galaxy. It includes 10 WAV samples in composition format labeled with the BPM and key. These samples will work in all DAW software including FL Studio, Logic Pro X, Ableton, MPC, etc.

Because we know how important your own twist on loops can be we've included 69 incredible MIDI loops allowing you to delve and dig into the chords themselves - a fine way to learn and manipulate in any way you wish! So if you're looking to add some temporal movement and style to your collection then this ones ground breaking - explore a galaxy far away with us and take your productions to another planet.

If you only wish to use a few samples for different sounding drums, you can just work on a single computer or laptop and will not need a lot of RAM to do so (at least 16GB is recommended but 8GB will suffice for less intensive usage).

There is a Snapshot feature in the bottom right of the window which will record your current settings. If you change settings, you can always look back at the snapshot within the UI and compare your current settings to a previous snapshot. This feature helps you get that perfect kit sound for your mix.

As mentioned above, there are some really neat features that cater to beginner or professional composers and producers looking to add that perfect kit to their project. This library stands out with its user-friendly interface that comes with advanced settings to create a customized sound and beat. It is industry-standard and the drum presets sound amazing with little to no effort.

Overall, Damage is a fantastic choice for cinematic, and industrial-orchestral fusion kits and percussive sounds. The sound palette makes it a favorite for composers, producers and sound designers. It is a must-have for those looking to incorporate epic, trailer music-style drums to their mixes.

The sounds of the various drum kits are high-quality and can fit perfectly into your song, regardless of style. I find that the focus is on the grooves rather than building a custom kit sound, which works well for creating songs on the fly.

The library features 7 kits along with 25 snares, 16 kick drums and approximately 250 electronic drum machine sounds. There are various mix-ready presets in multiple styles and 35 built-in sound effects.

In the right section of the window are the property boxes where you can tweak the sound of specific parts of the drum kit. This includes drum tuning, reversing the sound, pitch FX, and more.

If you wish to change the instrument that tracker automatically detected, you can manually switch the target sound to any other part of the kit. This is a really great feature with a lot of depth, so if you are interested in using this tool within your songs, you can check out more here:

The Stadium Kit brings the roomy sound of a premium recording room, the Studio Kit creates grooves with a smaller, dry studio sound and the Garage Kit boasts a dirtier, aggressive sound.

The drum samples were performed by professional drummer Derico Watson and produced by Grammy-winning producer, Kenny Barto. The library contains 5.26GB of content featuring 60 sound presets, 90 grooves with 10 variations each, with 58 acoustic samples and 80 electronic layering sounds.

DrumLab is a great tool for creating customized, composite sounding drums. Due to its lack of samples relative to other drum libraries, DrumLab inspires you to get creative with acoustic and electronic blended sounds, encouraging the creation of a drum tone that is uniquely yours.

Simply dragging and dropping MIDI into Battery 4 allows you to set up your sounds to performance MIDI controllers. Battery 4 uses all current sample file formats including .wav, .aiff, .nki, and .txt. For a more comprehensive list, please see this link.

A really neat feature that Battery 4 has implemented is the Editor tab where you are able to musically edit a patch sound. You can cut, trim, lengthen, as well as fade, silence and reverse the audio of the sample being played.

This also acts as a loop editor by switching the loop function on and you can edit in real-time how the loop will sound (for example, you may trim the audio so it only plays and loops the first half of the sample rather than including an audio tail).

SD3 and EZDrummer are the only ones that have bleed through all the other mics, except a few of the others have bleed of an instruments through other mics. When a guy hits a snare in most sample pacs, it goes through one or two mics. When you set it up so, and a guy hits a snare, it goes through ALL the mics. BIG difference in sound.

The Cinematic Mega Bundle is designed to work with every imaginable style of sound and music: May it be Orchestral, Uprising, Sci-Fi, Horror, Drama, Foley, Percussive, Underscore, Blockbuster, Trailer, Dark or anything else... we got you covered!

Tesseract covers a wide range of different cinematic styles: No matter if you're looking for some 80s synthwave in the style of Stranger Things, aggressive trailer music, dark horror sound effects or bright uplifting atmosphere, Tesseract has the right sounds for every media production.

We designed Tesseract to be suitable for filmmakers as well as music producers. Filmmakers can use a total of 50 music tracks that are also splitted into their separate parts plus 493 individual sound effects. Music producers can use all these sounds as well: Each tonal sound is key-labeled and every loop is BPM-labeled.

Tesseract is the biggest cinematic sound library we have released yet. It contains all types of typical cinematic sounds: Long Atmospheres (up to 3 minutes), broken drones, 50 construction kits, FX, impacts, risers, shimmering tones, sinister tones, static sounds, brass, moog bass, piano sounds and strings, braams, organs, bells, trailer drums and hits.


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